The Book, Cat, & Cat Book Lovers Almanac

of historical trivia regarding books, cats, and other animals. Actually this blog has evolved so that it is described better as a blog about cats in history and culture. And we take as a theme the advice of Aldous Huxley: If you want to be a writer, get some cats. Don't forget to see the archived articles linked at the bottom of the page.

September 13, 2018

September 13, 1894

The J. B. Priestley Society calls their eponym, "The Last Great Man of English Letters."
John Boynton Priestley (September 13, 1894 to August 14,1984),


'was born in Bradford in the West Riding of Yorkshire..... His father, Jonathan, was a pioneering schoolmaster, his mother, Emma, had been a mill girl. Emma died when he was very young, but fortunately his stepmother, Amy, was very kind. Jack, as he was known to the family, enjoyed the rich cultural and social life of prosperous, cosmopolitan and relatively classless Bradford: music hall, football, classical music concerts and family gatherings. Many of his finest novels, plays and memoirs draw on his feelings about this vanished time, particularly “Bright Day” (1946), in which a disillusioned scriptwriter looks back at his golden Bradford adolescence, and “Lost Empires” (1965), recreating the 1913 variety theatre.
'.... When the Great War broke out, Priestley volunteered, joining the Duke of Wellington’s West Yorkshire Regiment. After a year of training in southern England, he was sent to the Front in 1915. In “Margin Released” (1962), he reflected on his hellish experiences and the loss of his friends. Seriously injured in June 1916, Priestley returned to England to convalesce, and then trained as an officer. Sent to the Front a second time in 1917, he was gassed and spent the rest of the War in administrative jobs. Although he never wrote in great detail about his war experience it haunted him all his life.

'After the War, Priestley studied at Trinity Hall, Cambridge University, thanks to a very small ex-officer’s grant. He excelled academically, but decided to make a career as a writer. With the exception of a book of poems “The Chapman of Rhymes” (1918), which he later denigrated, he had not been in a position to write much during the War years. He moved to London and wrote essays and book reviews for the London Mercury and other periodicals, and published works on literature and a couple of short novels. Collaboration with well-known historical novelist Hugh Walpole on “Farthing Hall” (1929) gave Priestley the financial freedom to write a long picaresque novel, “The Good Companions” (1929). The book won the James Tait Black Memorial Prize for fiction and earned him an international reputation. His follow-up novel, the darker, London centred “Angel Pavement” (1930), is also much admired.

'In the 1930s, Priestley began a new career as a dramatist, a form of writing many have considered best suited to his great talents. His plays were impeccably crafted, sometimes experimental and are characterised by pre-War settings and various perspectives on time, they include: Dangerous Corner” (1932), the Yorkshire comedy “When we are Married” (1938), “I Have Been Here Before” (1937), and, his most famous play, “An Inspector Calls” (1945). The latter combined his fascination with the nature of time with his ideas about society. Priestley’s social conscience was awakened by growing social inequalities in the 1930s, which were unforgettably outlined in “English Journey” (1934), where he raged at the treatment of veterans and the desolation of places like Rusty Lane.

'During World War 2, Priestley achieved the peak of his fame and influence in his BBC “Postscripts” broadcasts (1940), in which he inspired many in difficult times by reflecting on the beauty of the English landscape, the gallant little ships at Dunkirk, and a steaming pie in a shop window defying the bombers. However, controversially, he called for social change after the War, so the mistakes made after the previous one and the poor treatment of the returning soldiers would not be repeated.

'In the 1950s, Priestley became increasingly politically disillusioned, as the promise of the Labour success in the 1945 election seemed betrayed. In 1957, he once again articulated the mood of many when he wrote “Britain and the Nuclear Bombs” for the New Statesman, expressing his concern at Britain’s development of its own hydrogen bombs, and calling for unilateral nuclear disarmament. The huge postbag received by the paper as a result led to the founding of the Campaign for Nuclear Disarmament. Priestley became vice-president, and contributed by writing, broadcasting and public speaking, but he hated committee work, and gratefully took the opportunity to give this up when the president, Bertrand Russell, resigned over the issue of direct action.

'Priestley married three times: to Pat, who died tragically young, to Jane, from whom he was divorced, and to archaeologist and poet Jacquetta Hawkes. His marriage to Jacquetta was very happy: they collaborated on books such as “Journey down a Rainbow” (1955), .... “Time and the Priestleys” (1994), by their friend Diana Collins, gives a vivid picture of their later married life and their home at Kissing Tree House near Stratford-on-Avon.

'Priestley continued to publish well into the 1970s.... He had previously declined both a knighthood and a peerage but in 1977 accepted the Order of Merit, as this was the gift of the sovereign, not party political. ...

'It is difficult to do justice to the size and range of Priestley’s writings. Alan Day’s bibliography lists over 150 individual published works by him, plus many contributions, prefaces and newspaper articles. While certain themes recur throughout his writing (the danger of the mass media, the delights of music and art, the nature of time), Priestley was always ready to experiment with new formats and genres, from science fiction for children like “Snoggle” (1971), social history such as “The Prince of Pleasure and his Regency” (1969), expressionist drama epitomised by “Johnson over Jordan” (1939), and deep philosophy in “Over the Long High Wall” (1972).

'.....For a complete bibliography please visit www.jbpriestley.co.uk'

When We Are Married
(1938) provides a rare feline reference in Priestley's work. A comic play, set in (per a Google blurb):

'the heart of Northern England, three respectable couples, married on the same day, at the same church, and by the same vicar, join to celebrate 25 years of blissful matrimony. Or so they think... The happy celebrations are brought to a sudden halt by a shocking revelation – these pillars of the community aren’t quite as respectably married as they thought they were. As the home truths fly like confetti and conjugal rites turn to farcical fights, an evening of sparkling comic mayhem erupts. With a photographer from the local paper due to arrive any second, a missing housekeeper and a doorbell that won't stop ringing, can the three couples keep a lid on their embarrassing secret? Penned in 1938, this is a classic comedy that is a blessed union of laughs and surprises.'

Naturally these situations provoke some sharpness, as when Clara says "She!, who's she?, the cat?"


If this weren't a cat blog, I'd end on the charming fact that Priestley collaborated with Iris Murdoch in writing A Severed Head.

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