About Hilaire Belloc (July 27, 1870 to July 16, 1953), an Anglo-French writer, we read:
'...The period between the century's turn and the mid-1920s was the time of Belloc's widest fame and influence. Throughout these years Belloc's name and reputation were frequently linked in the public mind with G. K. Chesterton, whom Belloc had met around 1900 when each was a contributor to the radical journal the Speaker. In Chesterton, Belloc found a talented illustrator of his books, a friend, and a man who shared and publicly advocated many of his own religious and political views. Anti-industrial and antimodern in much of their advocacy, the two were jointly caricatured in print by George Bernard Shaw as "the Chesterbelloc," an absurd pantomime beast of elephantine appearance and outmoded beliefs. Both, according to Shaw and other adverse critics, had a passion for lost causes. Belloc and Chesterton were "Little Englanders"—opposed to British colonialism and imperialism—whose essays in the Speaker had infuriated many Londoners by the authors' opposition to Britain's imperial designs on South Africa and the nation's participation in the Boer War. Each looked to the Middle Ages as an era of spiritual and material fulfillment when Europe was united in Catholicism and small landowners worked their own, Church-allotted parcels of property, providing for their own individual needs, free from both the wage-slavery that later developed under capitalism and the confiscatory taxation and collectivist policies of state socialism. (Belloc in particular, after serving for several years as a Liberal M.P. in the House of Commons, held a cynical view of the modern British political system, seeing little difference in the methods of the government's Liberal and Conservative ministers, who were often, to his disgust, fellow clubmen and the closest of friends outside the halls of Parliament.) As an alternative both to capitalism and to the Fabian socialism advanced by such contemporaries as Shaw, H. G. Wells, and Beatrice and Sidney Webb, Belloc propounded an economic and political program called Distributism, a system of small landholding which harks back to Europe's pre-Reformation history. This system was outlined in the 1891 Papal Encyclical Rerum Novarum, and is fully described in Belloc's controversial essay "The Servile State", published in 1912.
'The Chesterbelloc's political ideas were also expounded in the Eye Witness, a weekly political and literary journal edited by Belloc, which became one of the most widely read periodicals in pre-war England. Belloc attracted as contributors such distinguished authors as Shaw, Wells, Maurice Baring, and Sir Arthur Quiller-Couch. In addition, he and his subeditor, Cecil Chesterton, involved the Eye Witness in a political uproar in 1912 when they uncovered the Marconi Scandal, in which several prominent government officials used confidential information concerning impending international business contracts in order to speculate in the stock of the Marconi Wireless Telegraph Company. Although Belloc continued to contribute articles and occasionally edit the periodical, the Eye Witness eventually passed to Cecil Chesterton's editorship as the New Witness, which, after Cecil's death in World War I, came under his brother's supervision, becoming in 1925 G. K.'s Weekly, the principal organ of the Distributist League. By then, Belloc had established himself as a polemicist who could write forceful and convincing essays on nearly any subject, in a prose style marked by clarity and wit. His reputation as a polemicist reached its zenith in 1926 when, in A Companion to Mr. Wells's "Outline of History," he attacked his longtime opponent's popular book as a simpleminded, nonscientific, anti-Catholic document. A war of mutual refutation ensued, fought by both writers in the pages of several books and essays. Ironically, although much of the scientific community now affirms Wells's biological theses as presented in the Outline, during the 1920s the preponderance of evidence supported the findings of Belloc, who, in the minds of some observers, bested Wells in their exchange of polemical broadsides. '
And here is an example of Belloc's polemical skills. Against the Victorian passion for pets, Belloc says, in a 1906 essay:
'.....I know very well that They can do one harm, and that They have occult powers. All the world has known that for a hundred thousand years, more or less, and every attempt has been made to propitiate Them. James I. would drown Their mistress or burn her, but They were spared. Men would mummify Them in Egypt, and worship the mummies; men would carve Them in stone in Cyprus, and Crete and Asia Minor, or (more remarkable still) artists, especially in the Western Empire, would leave Them out altogether; so much was Their influence dreaded. Well, I yield so far as not to print Their name, and only to call Them “They”, but I hate Them, and I’m not afraid to say so....'
Belloc will twice use the word 'cat,' and end the esssay this way:
'...All that They do is venomous, and all that They think is evil, and when I take mine away (as I mean to do next week—in a basket), I shall first read in a book of statistics what is the wickedest part of London, and I shall leave It there, for I know of no one even among my neighbours quite so vile as to deserve such a gift.'
Belloc's subtle and humorous ending leaves no doubt his cat is going nowhere.
No comments:
Post a Comment