Diana Donald, author of Picturing Animals in Britain, 1750-1850 (2007) says of this painting or its type that it represents an awareness of violence in nature, during a decade of increasing darkness. By this she means that the French Revolution disrupted British assumptions, I think, that is what she means. Also the anatomical precision reflects an alertness to the commonality between human beings, and what they call the animals.
The fame of James Ward was eclipsed mid century, with a new painting movement, the Pre-Raphaelites, and in the end did not revive.
2007
2007
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